It is the automatism of the photographic that Christian adapts here. This automatism works visually, according to the principle of a visual field that is affected by focusing or fading out.

In the conditional reflexes of our conscience in the installed stereotypes in the most unspeakable gaps of the psyche itself within which the greater part of our reflective and emotional world flows, it is a sort of fossilized substrate full of dusty commonplaces almost being the structure of our personality, the skeleton of our conscious […]

In a closed down sanatorium, Christian rearranged the objects, playing with the notion of space.